Mary Shelley’s House of Frankenstein

Mary Shelley’s House of Frankenstein

One of the best parts of the story of Frankenstein is the realisation that the doctor himself is more of a monster than the so-called ‘monster’ he created. Frankenstein’s Monster is gentle and curious, as well as highly articulate once he’s learned and practiced human language. I personally believe it’s one of the first examples of the ‘we are the monsters’ trope that is found in a lot of modern media.

There is also the popular question of the morality of playing god, and the theme of science going too far, just because it can (insert Jeff Goldblum in Jurassic Park here). These themes are so relevant even (and with the rise of advanced robotics and AI, maybe especially) today.

Crossbones Graveyard and its Outcast Dead

Crossbones Graveyard and its Outcast Dead

What struck me most about Crossbones is how much it’s retained a graveyard’s tranquillity. There are still many remains beneath the ground, but they aren’t marked out or named like a more traditional cemetery. Despite this, the place still has the muted peace that seems to cut off the usual noise and hustle of the city around it. The atmosphere was added to by the soft smell of incense burning nearby. Wandering around Crossbones put my mind in a calm, reflective place that I thoroughly enjoyed.